In Conversation with Matt Goldman & Peter Geye

Description

Matt Goldman is a playwright and Emmy Award-winning television writer for Seinfeld, Ellen, and other shows. Goldman has been nominated for the Shamus and Nero Awards and was a Lariat Adult Fiction Reading List selection. He lives in Minnesota with his wife, pets, and whichever children happen to be around.

The Murder Show is a pulse-racing novel about secrets, old friends, and how the past never leaves us.

Showrunner Ethan Harris had a hit with The Murder Show, a television crime drama that features a private detective who solves cases the police can't. But after his pitch for the fourth season is rejected by the network, he returns home to Minnesota looking for inspiration.

His timing is fortunate -- his former classmate Ro Greeman is now a local police officer, and she's uncovered new information about the devastating hit and run that killed their mutual friend Ricky the summer after high school. She asks Ethan to help her investigate and thinks that if he portrays the killing on The Murder Show, the publicity may bring Ricky's killer to justice.

Ethan is skeptical that Ricky's death was anything but a horrible accident, but with the clock running out on his career, he's willing to try anything. It doesn't take long for them to realize they've dug up more than they bargained for. Someone is dead set on stopping Ethan and Ro from looking too closely into Ricky's death -- even if keeping them quiet means killing again...

Peter Geye is the award-winning author of Safe from the Sea, The Lighthouse Road, Wintering, Northernmost, and The Ski Jumpers (Minnesota, 2022). He lives in Minneapolis with his family.

On the rocky shores of Lake Superior, a piercing story of selfhood and determinism develops: is the future what we're handed or what we make of it?

It's 1910, and Theodulf Sauer has finally achieved a position befitting his ego: master lighthouse keeper at a newly commissioned station towering above Lake Superior. When his new wife, Willa, arrives on the first spring ferry, it's clear her life has taken the opposite turn: after being summoned home from college to Duluth when her father dies, she and her scheming mother find themselves destitute, and Willa is rushed into this ill-suited arranged marriage before she can comprehend her fate.

As the lighthouse station establishes, the new relationship teeters between tense and hostile, with little mutual understanding or tenderness. Willa takes solace in her learned fascination with the cosmos, especially (despite her husband's suspicion of the event) in viewing the imminent Halley's Comet. Under ominous night skies, Theodulf stands sentry over the lake, clinging to long-ago and faraway memories of happiness that fill him with longing and shame.

Into this impasse, a clairvoyant girl and her resolute uncle emerge from across the cove. They see through the Sauers' thin façade and, by turns and in different ways, convey promise, sympathy, and insight that counter Willa's despair. Armed with renewed self-determination, Willa forges a path to happiness. But before she can grasp it, tragedy comes to their remote beacon, and her future plunges toward a dark unknown.

Set against a brooding and beautiful landscape, A Lesser Light is a story about industry and calamity, science versus superstition, inner desire countered with societal expectations--and the consequences when these forces collide in the wilderness of rapid social change.